Lo ínfimo del polvo sintético

A photographic series made from arrangements of synthetic waste that recreate seascapes. Each digital image was printed in toner and then transferred onto stucco-coated paper; the images that make up the series are the result of those transfers. The final images are therefore made of the residual plastic dust the toner left on the paper; the photograph is permeated by polluting matter.

The low sharpness, the marks and the wear on the photographs are analogies for the deterioration and pollution of the environment. An image generated with materials from the environment, through polluting or extractive processes, is both witness to and actor in what it critiques. These transfers are made with the trace of microplastics, revealing fragmented landscapes.

Antartic Peninsula and Weddell Sea, 2025
Antartic Peninsula and Weddell Sea, 2025. Transfer on 300 g coated paper, 25 x 35 cm
Fiji Barrier Reef Marine, 2025
Fiji Barrier Reef Marine, 2025. Transfer on 300 g coated paper, 25 x 35 cm
Nansei Shoto, 2025
Nansei Shoto, 2025. Transfer on 300 g coated paper, 25 x 35 cm
Panama Bight, 2025
Panama Bight, 2025. Transfer on 300 g coated paper, 25 x 35 cm
Chesapeake Bay, 2025
Chesapeake Bay, 2025. Transfer on 300 g coated paper, 25 x 35 cm
Tuamotus Marine, 2025
Tuamotus Marine, 2025. Transfer on 300 g coated paper, 25 x 35 cm
Humboldt Current, 2025
Humboldt Current, 2025. Transfer on 300 g coated paper, 25 x 35 cm
Palau Marine, 2025
Palau Marine, 2025. Transfer on 300 g coated paper, 25 x 35 cm
Grand Banks, 2025
Grand Banks, 2025. Transfer on 300 g coated paper, 25 x 35 cm
Sulu Sea, 2025
Sulu Sea, 2025. Transfer on 300 g coated paper, 25 x 35 cm
West Australian Marine, 2025
West Australian Marine, 2025. Transfer on 300 g coated paper, 25 x 35 cm
Greater Antillean Marine, 2025
Greater Antillean Marine, 2025. Transfer on 300 g coated paper, 25 x 35 cm